ROB SCHIFFMANN (Co-Artistic Director, Co-Producer, Performer) has worked and toured as a professional improviser and musician for over seventeen years. As a two-time MAC (Manhattan Association of Cabarets and Clubs) Award winner and the recipient of the 2011 INNY (Improvisation News) Award for Best Improv Coach, Rob’s musical and improv talents are known across the country. He has taught and directed improv at The School for Film and Television, Weist-Barron, and the Perry-Mansfield Performing Arts School in Steamboat Springs, Colorado. A graduate of Oberlin College, Rob performed regularly with Chicago City Limits before joining Broadway’s Next Hit Musical in 2001. BNHM’s master improvisers started their success at the famous NYC cabaret club Don’t Tell Mama as well as with the New York Musical Theater Festival. Rob became Co-Artistic Director in 2009, and continues to perform with the hysterical troupe throughout the country and at their resident theater The Triad in NYC. Called “sharper than a pound of cheddar cheese” by reviewfix.com, Rob has showcased his skills on The Daily Download and The CBS Early Show. Rob’s musical talent is also evident with the New York based acoustic-pop band, The Hillary Step; he is the main writer, lead singer, guitarist, and Music Director. For more information, please visit www.robschiffmann.com.
Videos of Rob Schiffmann in Broadway's Next Hit Musical
Audio of Rob Schiffmann in Broadway's Next Hit Musical
Reviews of Rob Schiffmann in Broadway's Next Hit Musical
“Easily the highlight of the evening was co-producer/co-artistic director Rob Schiffman. His creative mind is full of rhymes and childlike creativity that was refreshing. He listened to his fellow actors brilliantly, so much so that he could sing in harmony or descant with them and (usually) successfully made a well-structured musical number. The entire time, I could not decide whether he should go into writing or acting, because the former would seem a waste of a brilliant character actor, and the latter a waste of a brilliant writer. Thus, I believe he has found his niche in improvisational musicals. I will say that his vocals were wanting at multiple times, but this is the first case in which I can genuinely say that such a flaw didn’t matter at all. Particularly, he and Grant read each other very well, to the point that their scenes together seemed rehearsed. The scenes that they shared were the highlight.”
“Deb Rabbai and Rob Schiffmann were sharper than a pound of cheddar cheese.”
“And as it turns out, a show about an Iowa model can hinge on the evil ways of a serpent like devil, hilariously played by Rob Schiffmann, whose weakness is frigid temperatures.”